The interpreter of Maladies is a tour guide on days off and an interpreter of maladies on working days in a clinic. The doctor at the clinic does not understand the language and Mr. Kapasi for a sufficient amount of money, which takes care of his family expenses, acts as the interpreter.
In this short story, Mr Kapasi encounters a strange Bengali-American family on his tour day. They are dressed in bright clothes and talk like brothers and sisters to each other(man, woman and three kids). The mother is clearly oblivious to the needs of her children and the father is too busy photographing the exotic Indian experience. The mother, Mrs. Das, out of sheer boredom starts a conversation with the driver, Mr. Kapasi and gets very interested in his career as an interpreter of maladies, waiting for the right time to ask him to interpret and cure her malady of a mid-life crises (she has stopped feeling for her husband) overburdened with a one-night stand, the result of which is her youngest son.
Mr. Kapasi mistakes her attention for likeness and weaves a fantasy of his own, in which he dreams of writing her letters and hopes for a relationship with her, as she is very curious about his work and he likes her bare legs and full breasts.
Quite realistically, none of his fantasies materialize and he is left clicking a photograph of the entire family, right after they have saved their youngest son from the monkeys at the Sun Temple.
Lahiri could have chosen to describe the beautiful Sun temple and the long tree-ladden roads that lead to it. But throughout the short story, she is focused on the sad and monotonous life of Mr. Kapasi and how this one chance encounter with an English speaking Indian woman, fills him with hope of a second chance at life.
There is really nothing special about this short story, apart from the plot perhaps where the protagonist can interpret the physical ailments but not the maladies of the soul. Not much special attention is paid to food,tastes and colors in this one, expect of course if you consider how Mrs. Das ate channa and painted her nails.
Many critics have mentioned that the story focuses on the deformed way of viewing each other. They say this is highlighted by the fact that all of the characters are wearing glasses. Also Mr Das, instead of taking in the beauty of India, is in a hurry to capture it using his camera. He sees the world through his lens for most of the story.While in the taxi, Mrs Das, does not roll the window, although it is terribly hot, so she too is not able to see the world clearly. And finally the critics have interpreted that Mr. Kapasi, though he notices the difference in the looks of Mr.Das and one of the children, he views them as a family, the reality of which later hits him.
Many critics have mentioned that the story focuses on the deformed way of viewing each other. They say this is highlighted by the fact that all of the characters are wearing glasses. Also Mr Das, instead of taking in the beauty of India, is in a hurry to capture it using his camera. He sees the world through his lens for most of the story.While in the taxi, Mrs Das, does not roll the window, although it is terribly hot, so she too is not able to see the world clearly. And finally the critics have interpreted that Mr. Kapasi, though he notices the difference in the looks of Mr.Das and one of the children, he views them as a family, the reality of which later hits him.
Critics might say that the subtle description of the characters and the melancholy filling their lives, makes them believable and easy to identify with, but I was disappointed in the style, which is straight-jacketed, the language, which is very simple, the tense, which does not change, the plot which has been a part of many a hindi movies and the characters who are too banal even for real-life people. For a short story which would be the name of her collection of short stories, Lahiri could have perhaps done much better.
I read this collection of short stories a few months ago; two of the stories managed to make quite an impression on me - I remember them to this day. As with most of Jhumpa Lahiri's stories, 'A Temporary Matter' and 'Interpreter of Maladies' manage to strike an emotional chord in the reader. As you rightly pointed out (in your review on 'A Temporary Matter'), the faint glimmer of hope (the one-hour conversations between the couple) before the final breakdown of their marriage, truly makes this story one worth remembering. Just to add to your analysis, I wanted to point out the significance of the title of the story - A Temporary Matter. A 'temporary matter' of a one-hour blackout every evening brings the couple closer to each other (briefly). This simple circumstance (of being surrounded by darkness for an hour every evening) manages to do what the couples' own efforts over the years could never do. But the 'temporary matter' somehow separates the two people in a not so temporary way; after temporarily bringing them together.
ReplyDeleteWith reference to 'Interpreter of Maladies,' I have a slightly different view. I assume that your criticism of the story stems from the fact that the tone of the story is quite unvaried from beginning to end. I have read just one other work of Lahiri (Unaccustomed Earth), and I feel that this is a characteristic feature in many of her short stories. Her stories have this unique way of narrating in an even tone - like a monotonous voice speaking in your head - and then, towards the end, revealing some bit of detail which manages to deal a heavy (emotional) blow to the reader. I remember this one story (in the other book) in which we come to know towards the end that a character's mother was ailing from some fatal disease ('Once in a Lifetime').
Your description of "black-white" in 'When Mr. Pirzada Came to Dine' was quite interesting.
I really don't like how she writes and yes my reviews are going to be a bit biased.
ReplyDeleteThe separation in not so temporary way, yes, i missed that.